Chicago's public art is not maintained by happenstance. Two official systems govern much of it: the City of Chicago's Department of Cultural Affairs and Special Events (DCASE), which runs the Chicago Public Art Program and the citywide collection, and Chicago Public Schools (CPS), which owns and oversees an extensive fine art collection spread across its buildings. If you encounter a mural, sculpture, or painting in the city, these two bodies are the most likely stewards, and each keeps its own records you can consult. Here is how the system works and how to investigate a piece you find.

Understanding Chicago's Public Art Landscape

Chicago's public art is divided among several managing entities, but the two with formal, published policies are the city government and the school district. DCASE manages the Chicago Public Art Collection, the hundreds of artworks already installed across city buildings and public spaces. The department also decides whether proposed donations of artwork are accepted, where donated works are installed, and how best to display them. Separately, the CPS Board owns a collection of fine art distributed throughout the district's elementary schools, high schools, and administrative facilities across the city.

That division matters when you see a piece of art. A sculpture in front of a library or police station likely falls under the city program. A historic painting hanging in a school hallway belongs to the CPS collection. Other artworks in Chicago may be managed by different organizations, such as the Park District or private owners, so location is your first and most reliable clue about who is responsible.

DCASE and the 'Percent for Art' Ordinance

New city-owned public art is funded largely through the Percent for Art ordinance. Under the ordinance, 1.33% of the construction budget for building or doing a major renovation of a City-owned or City-financed building, structure, or certain outdoor improvements is set aside to commission art at that site. Eligible buildings include libraries, police stations, fire houses, senior centers, and others.

That means new public art tends to appear wherever the city is building. Each commissioned piece is tied to a specific construction project, so the art you see near a new city facility was likely funded by that project's budget rather than a separate arts allocation.

The commissioning process also involves residents. According to the city's guidelines, upcoming projects trigger a community forum: notice of the date, time, location, and purpose is posted on the City of Chicago website and sent to the local alderman and identified community interests. At that first forum, program staff and government representatives share details about the project, including its location, purpose, general configuration, and anticipated schedule, while community members describe their neighborhood's history, local cultures, concerns, and aspirations. Note that this input process applies to upcoming projects, not to general maintenance of existing artworks.